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主演：彼得·马莫诺夫 奥列格·扬科夫斯基 Ramilya Iskander
导演：帕维尔·龙金
简介：本片以俄国历史上首任沙皇伊凡四世为主人公，讲述了16世纪的俄罗斯，他以残暴的手段统治全国，最终反对他的那个人却是他童年时的挚友；影片着重刻画了伊凡四世的内心世界。伊凡四世在俄罗斯历史上有着深远影响，关于他的神话传说在俄罗斯多得不胜枚举，至今还在广为流传，他的故事也多次被搬上大银幕。电影《沙皇》由俄罗斯著名导演帕维·龙根执导，今年5月曾入选第62届戛纳电影节“一种关注”单元，随后还曾参加了波兰华沙电影节、莫斯科电影节等，获得高度评价。出生于1949年的俄罗斯导演帕维·龙根是戛纳的常客。他的三部作品《计程车司机布鲁斯》、《月亮乐园》、《爱，婚了头》都曾获选入围主竞赛单元进行金棕榈的角逐，而1990年的《计程车司机布鲁斯》则最终赢得了最佳导演奖。2007年，帕维·龙根还曾以评委身份参加戛纳电影节。对于这个背景设置在四百年前的故事，帕维·龙根却认为这部电影与当下有着紧密的联系，他表示：“这是一个关于今天俄罗斯的隐喻，而它也同样指涉斯大林时代。”帕维·龙根表示，这部电影在某些表现手法上借鉴了中国京剧的表演手法。担任主演的彼得·马莫诺夫是俄罗斯著名演员，有着深厚的舞台剧表演功底，他与导演帕维·龙根曾合作过《计程车司机布鲁斯》、《孤独之岛》等多部作品，非常默契；片中扮演伊凡四世的敌人一角的是奥列格·扬科夫斯基，他是俄罗斯广受欢迎的表演艺术家，已于今年5月20因病逝世。《沙皇》定于2009年11月4日在俄罗斯公映。
主演：维克多·崔 Marina Smirnova 彼得·马莫诺夫 亚历山大·巴希罗夫
导演：拉希德·努格马诺夫
简介：In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
主演：维克多·崔 Marina Smirnova 彼得·马莫诺夫 亚历山大·巴希罗夫
导演：拉希德·努格马诺夫
简介：In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisioni求爱 of the Stalinist past and nihilistic social critici求爱.Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmoderni求爱—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
主演：维克多·崔 Marina Smirnova 彼得·马莫诺夫 亚历山大·巴希罗夫
导演：拉希德·努格马诺夫
简介：In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
主演：彼得·马莫诺夫 奥列格·扬科夫斯基 Ramilya Iskander
导演：帕维尔·龙金
简介：本片以俄国历史上首任沙皇伊凡四世为主人公，讲述了16世纪的俄罗斯，他以残暴的手段统治全国，最终反对他的那个人却是他童年时的挚友；影片着重刻画了伊凡四世的内心世界。 伊凡四世在俄罗斯历史上有着深远影响，关于他的神话传说在俄罗斯多得不胜枚举，至今还在广为流传，他的故事也多次被搬上大银幕。电影《沙皇》由俄罗斯著名导演帕维·龙根执导，今年5月曾入选第62届戛纳电影节“一种关注”单元，随后还曾参加了波兰华沙电影节、莫斯科电影节等，获得高度评价。 出生于1949年的俄罗斯导演帕维·龙根是戛纳的常客。他的三部作品《计程车司机布鲁斯》、《月亮乐园》、《爱，婚了头》都曾获选入围主竞赛单元进行金棕榈的角逐，而1990年的《计程车司机布鲁斯》则最终赢得了最佳导演奖。2007年，帕维·龙根还曾以评委身份参加戛纳电影节。 对于这个背景设置在四百年前的故事，帕维·龙根却认为这部电影与当下有着紧密的联系，他表示：“这是一个关于今天俄罗斯的隐喻，而它也同样指涉斯大林时代。”帕维·龙根表示，这部电影在某些表现手法上借鉴了中国京剧的表演手法。 担任主演的彼得·马莫诺夫是俄罗斯著名演员，有着深厚的舞台剧表演功底，他与导演帕维·龙根曾合作过《计程车司机布鲁斯》、《孤独之岛》等多部作品，非常默契；片中扮演伊凡四世的敌人一角的是奥列格·扬科夫斯基，他是俄罗斯广受欢迎的表演艺术家，已于今年5月20因病逝世。 《沙皇》定于2009年11月4日在俄罗斯公映。
主演：彼得·马莫诺夫 奥列格·扬科夫斯基 Ramilya Iskander
导演：帕维尔·龙金
简介：本片以俄国历史上首任沙皇伊凡四世为主人公，讲述了16世纪的俄罗斯，他以残暴的手段统治全国，最终反对他的那个人却是他童年时的挚友；影片着重刻画了伊凡四世的内心世界。 伊凡四世在俄罗斯历史上有着深远影响，关于他的神话传说在俄罗斯多得不胜枚举，至今还在广为流传，他的故事也多次被搬上大银幕。电影《沙皇》由俄罗斯著名导演帕维·龙根执导，今年5月曾入选第62届戛纳电影节“一种关注”单元，随后还曾参加了波兰华沙电影节、莫斯科电影节等，获得高度评价。 出生于1949年的俄罗斯导演帕维·龙根是戛纳的常客。他的三部作品《计程车司机布鲁斯》、《月亮乐园》、《爱，婚了头》都曾获选入围主竞赛单元进行金棕榈的角逐，而1990年的《计程车司机布鲁斯》则最终赢得了最佳导演奖。2007年，帕维·龙根还曾以评委身份参加戛纳电影节。 对于这个背景设置在四百年前的故事，帕维·龙根却认为这部电影与当下有着紧密的联系，他表示：“这是一个关于今天俄罗斯的隐喻，而它也同样指涉斯大林时代。”帕维·龙根表示，这部电影在某些表现手法上借鉴了中国京剧的表演手法。 担任主演的彼得·马莫诺夫是俄罗斯著名演员，有着深厚的舞台剧表演功底，他与导演帕维·龙根曾合作过《计程车司机布鲁斯》、《孤独之岛》等多部作品，非常默契；片中扮演伊凡四世的敌人一角的是奥列格·扬科夫斯基，他是俄罗斯广受欢迎的表演艺术家，已于今年5月20因病逝世。 《沙皇》定于2009年11月4日在俄罗斯公映。
主演：维克多·崔 MarinaSmirnova 彼得·马莫诺夫 亚历山大·巴希罗夫 ArkhimedIskakov GennadiLyui
导演：拉希德·努格马诺夫
简介：In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the"Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band"Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the"Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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